Knock Knock is a nasty bit of business, and fans of Roth are not likely to be disappointed. There's a monologue he delivers late in the third act in which he likens the tryst the three shared as “free pizza” that will likely be a perennial favorite on YouTube. As things spiral out of control, his increasingly desperate manner is never that convincing. Reeves, on the other hand, doesn't quite fare so well. Roth wisely draws out the drama, and both Izzo and de Armas strike the right chord between sexy and psycho. Tension and escalation ensue to an overdetermined ending. Knock Knock is a play written by American author, cartoonist and playwright Jules Feiffer. Evan wakes up the next day to find the girls making a mess of the house and refusing to leave. The pair, Genesis (Izzo) and Bel (de Armas), eventually seduce Evan in a threesome, which then unleashes all kinds of problems. Knock, knock, Natalie said symbolically when Ana didn't immediately notice her. Evan, nice guy that he is, takes them in while they wait for an Uber driver, drying their clothes and making small talk. Knock Knock Marketing does all things digital. He’s got to finish a project under deadline, but as soon as he throws on some Kiss and smokes a bowl, who comes knocking on the door? A couple of soaking wet girls, gone lost in search of a party. Knock Knock Marketing, Santa Ana, California.
#Knock knock ana update#
This update has architect Evan (Reeves), devoted father and husband, left alone on Father’s Day weekend while his successful artist wife and their two perfect children head to the beach. Earlier this month, it was his version of Cannibal Holocaust ( The Green Inferno) now it’s his decidedly faithful remake of 1977’s Death Game hitting the theatres. KNOCK KNOCK jumped into the Netflix top 10.
Much like his bro Quentin Tarantino, Roth likes to rifle through the rose-colored catalog of Seventies and Eighties horror movies, plucking out favorites, and putting a modern spin on them, serving them up as a fresh entrée for a contemporary audience. In the case of 2015's KNOCK KNOCK Keanu Reeves and Ana de Armas star in this straight-to-video release that is finding a brand new life on the platform.
It’s quite possible that Eli Roth is aware of that history in his latest video nasty, Knock Knock, but I’m not holding my breath. The duo also talked about the visual style of the film, how their characters manifested themselves throughout the various outfits they wore, and how their characters are very much the antagonists here, but also the victims as well.Ĭheck out the video interview with Izzo and de Armas below and look for Knock Knock in theaters and on VOD this weekend, courtesy of Lionsgate Premiere.In Greek mythology, the Erinyes, or the Furies, were vengeful female deities that dispatched brutal justice to those who had broken a sworn oath, hounding the offending party relentlessly, with the victims usually dying in some sort of agonizing torment: face chewed off, genitals raggedly removed the Greeks did not fuck around with such things.
The next morning, Evan does his best to get his guests to leave, but the ladies have other plans-deadly plans-and the duo decide Reeves’ character (and his family) must pay for his indiscretions.Īt the recent press day, Daily Dead chatted with both Izzo and de Armas about their experiences working together in Knock Knock as well as with their fellow co-star, Reeves. In Eli Roth’s upcoming thriller Knock Knock, Lorenza Izzo and Ana de Armas play a pair of lost young women who arrive at the home of Evan Webber (Keanu Reeves) looking for assistance before taking things to an entirely new level by seducing the affable husband and father. Two nubile, stranded women (Ana de Armas, Lorenza Izzo) reveal a sinister agenda after they spend the night with a married architect (Keanu Reeves).
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